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Those who got a thrill last spring when the SEALS took out Osama bin Laden will have more of the same covert ass-kicking to look forward to in theaters as we enter 2012 (check out Safe House, Safe, This Means War, and Act of Valor, among others). Unfortunately, operations don’t always run as smoothly in the movies as they do in real life. In fact you’ll find some of the secret agents — in Haywire, for example — pondering a job change. There’s a lot of this kind of second-guessing going on in the films coming up, from the Manhattan couple relocating to a commune in Wanderlust to John Carter’s trip to Mars.


JANUARY

There’s nothing like a civil war to spoil a relationship. In Angelina Jolie’s IN THE LAND OF BLOOD AND HONEY (January 6) a Serbian soldier meets an old Bosnian friend in a POW camp. Awkward.

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Related: Reivew: Resident Evil: Afterlife, Review: Tyler Perry's Madea's Big Happy Family, Review: Carancho, More more >
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ARTICLES BY PETER KEOUGH
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  •   REVIEW: PARIAH  |  January 03, 2012
    Compared to the non-stop trauma of Precious , or even Gun Hill Road , Dee Rees's first feature plays like an episode of The Cosby Show .
  •   HOLLYWOOD OFFERS BOTCHED OPERATIONS AND ALTERED LIVES IN 2012  |  December 28, 2011
    Those who got a thrill last spring when the SEALS took out Osama bin Laden will have more of the same covert ass-kicking to look forward to in theaters as we enter 2012.
  •   THE BEST FILMS OF 2011 ARE NOT THE BALLYHOOED  |  December 21, 2011
    The films this year were kind of like the current field of Republican presidential candidates: some are entertaining, but there's no clear frontrunner, and there's more attention on the flashiest and least substantial than on the more thoughtful and genuine.
  •   REVIEW: THE GIRL WITH THE DRAGON TATTOO  |  December 20, 2011
    Unfortunately, Fincher doesn't add much to Niels Arden Oplev's Swedish version: more Googling and plot-compressing montages and an altered but still convoluted ending.
  •   REVIEW: THE ADVENTURES OF TINTIN  |  December 20, 2011
    I don't know how fans of the title hero are going to take this adaptation, since I'm not familiar with the classic Hergé comic strip on which it's based, but followers of Steven Spielberg might regard it as a second-rate, animated Indiana Jones.

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