Jayson Blair revisited, Radiohead’s least favorite Radiohead song, and notes on the plight of the tenant-musician

BAD TIMES
5 years ago
May 16, 2003 | Dan Kennedy called for “tougher standards” in journalism in the wake of the Jayson Blair scandal.
“Yet by purging Blair, it would be wrong to think that all is now well at the Times, or in journalism. Tougher standards are needed. We all deserve better. I was struck by a comment that Alex Jones, director of the Joan Shorenstein Center...at Harvard’s Kennedy School, made to USA Today. Jones noted that in the Times’ self-examination, the family of former POW Jessica Lynch and others said they were well aware that Blair had falsely claimed to interview them...But they didn’t complain to the Times because they didn’t expect any better of the media. ‘They didn’t say, ‘Holy cow,’ this is somebody who is clearly unscrupulous.’ Instead, their response was to shrug their shoulders and say, ‘Hey, what did you expect?’ ’ Jones was quoted as saying.” Read Full Article

GOOD RIDDANCE
10 years ago
May 15, 1998 | Matt Ashare presented the 1998 BMP award for Best National Act to Radiohead.
“For a band whose career in the US was launched in 1993 with the kind of perilously catchy...single that can easily kill a band's career by marking them as a one-hit wonder, England's Radiohead have truly come a long way. Sure, ‘Creep’ was great the first dozen times you heard it, but you can't blame Thom Yorke for not wanting to sing it anymore...Johnny Greenwood hated the song so much from the get-go that he tried to muck it up with those cacophonous false starts on his guitar...But Yorke, Greenwood, and the rest of the band refused to be defeated by success, returning in '95 with The Bends (Capitol), a disc...with absolutely no ‘Creep,’ a disc as complex as ‘Creep’ was simple...

“The Bends in all its convoluted glory was really just a twisted prelude to OK Computer (Capitol), which arrived last summer with nothing resembling a workable single and very little in the way of a coherent lyric. Majestic probably doesn't begin to describe the operatic scope of the album, but it's not a bad place to start...So now some of the same critics who wrote the band off after ‘Creep’ hit the charts are holding Radiohead up as modern-rock saviors, which they probably are.” Read Full Article

SELECTIVE LISTENING
30 years ago
May 16, 1978 | After having had bad experiences with living arrangements due to his musical pursuits, pianist Paul Raeburn seemed to have found the perfect situation.
“Not too long ago, I thought I had solved all my problems. I had an apartment to myself (no roommates to worry about). It was on the second floor (not too difficult to get the piano in and out). And the downstairs neighbors never complained. I could never quite understand why they never complained, but I was happy to let the matter rest.

“In fact, so tolerant were the neighbors that they allowed several people to enter the apartment one weekend when I was away and help themselves. When I returned, I found that the burglars had chopped a large hole in the door, upended the dresser, pried into a locked metal file cabinet, strewn clothes and books everywhere, and the neighbors, bless their hearts, had never said a word. Stereo, television, tape recorder, typewriter, piano amplifier...had been removed. Miraculously, the piano stood in the center of the living room. (I don’t blame the thieves for not taking it—I know how difficult it is to get it down the stairs.)” Read Full Article

THE HAVES AND THE HAVE-SHOTS
35 years ago
May 15, 1973 | George Kimball pointed out the differences between those folks sitting in the grandstand and the clubhouse and those in the infield at the Kentucky Derby.

“If you are a Governor or a Mayor or a Newspaper Editor or a Kentucky Colonel or if you just happen to have a lot of money or happen to be on intimate terms with somebody who has a lot of money or even somebody whose family once had a lot of money then you will wind up in the grandstand, the clubhouse, or in one of those boxes near the finish line which run about $50,000 for Churchill Downs’ 50 yearly racing days but which are rarely used save on Derby Day...

“If, on the other hand, you (a) have developed a tolerance for claustrophobia, (b) loved Woodstock, (c) have an aberrant penchant for attending spectacles you are unable to see, (d) drink a lot, and (e) don’t have the money or the connections for a seat, you will end up in the infield.”