[live review] Animal Collective + Dan Deacon @ the House of Blues 03.07.13
Photos courtesy of Nick Walecka.
You know that phenomenon when you find out that a band you reeaally love is coming through town, but then you're struck with the immediate realization that you reeaally
didn't love their last album? (Not that you hated it by any means, but
it was just an odd-to-bad sideways-to-regressive step during an
otherwise unblemished career trajectory.) And you're left feeling afraid
you'll get stuck listening to a bunch of songs that you'd rather not be
listening to. On top of that, the band is actually known for using the
live arena as a glorified practice space, playing only new material,
sometimes even forthcoming unreleased stuff, and generally eschewing fan
favorites altogether.
So
it was against the above outlined better judgement that I found myself
on the floor of a sold out House of Blues last night, hearing the
tweaked-up circus meth numbers contained on ANIMAL COLLECTIVE's most
recent Centipede Hz
and thoroughly not enjoying myself. Though they've always walked a
psychedelic line, they've really dove off the deepend with this one,
injecting a near comical degree of mania into their formula. The only
seeming explanation for their abrupt turn down the rabbit hole is the
reintroduction of Josh Dibb aka Deakin, their longtime guitarist who
took a hiatus from the band during a time that saw them release their
most successful effort (commercially and critically, not personally) to
date, Merriweather Post Pavillion.
So
it was with some disdain that I found myself glaring at Deakin last
night, wondering what he'd done to one of my favorite bands. At about
the exact midpoint of the set, however, he emerged from behind his synth
rig, guitar strapped for battle, and started pogoing in the middle of
the stage -- the first real sign of emotion we'd seen from any member up
that point. And at that exact time, in crept the magical hymns of
"Brother Sport," the first song of the night that I'd deem tolerable for
anyone not geeked to the gills on seven different types of ecstasy.
From there they were off and running. The Dead-sampling "What Would I
Want Sky," the gentle hum of "Bluish," and "My Girls," which judging by
the reaction of the largely college-aged crowd, is what the people
really came out for. Even new songs "New Town Burnout" and "Monkey
Riches" sounded more robust and less asinine in this context.
I'll
give them the benefit of the doubt, it being the first show on
the tour, and say they needed time to warm up. This is no better
evidenced than the encore, "Amanita" melting into "The Purple Bottle,"
the best song off their best album, regardless of what anyone says. And
let me tell you: It's hard to hold any ill will towards a concert when
you walk out with as big of a shit-eating grin as I was sporting while
exiting the House of Blues.
DAN
DEACON opened the show. The second Dan Deacon ended his set, I turned
to my brother and said, "I hope Animal Collective didn't make the wrong
decision by asking him to open." Not because it sucked, but rather
because it's difficult for anyone to top the energy Dan Deacon brings to
the stage. Working with his now standard setup of toys that specialize
in woosh noises, he also brought with him two drummers to serve as his
left and right hand men in his mission to mindfuck the audience. He
instructed everyone to kneel and spin and generally lose their
inhibitions during a too short 45-minute outing that included personal
favorties "Crystal Cat" and "Wham City."