[live review] Bob Seger @ the DCU Center
And
another one comes off the list. Bruce Springsteen came off three years
ago at Bonnaroo. Because he's a touring whore, Tom Petty came off when I
was still in high school. Same with Bob Dylan. Roger Waters is off; David
Gilmour, regretfully not. Neil Young is currently residing at the top,
so if someone can convince him to stop charging $90 for the cheap seats
next time he comes around, it'd be much obliged.
The
hallowed list, my friends, is rock icons of my youth that I insist on
catching live at least once before they (or I, even) croak. Sometimes,
this can result an painstakingly masochistic experience, wherein those
icons can get chopped down a notch or two in your canon as a result of
their ineptitude in advanced age rocking (cough*Dylan*cough).
But
often times, as was the case last night at the DCU Center, it's a
rewarding experience; one that pays off in a full circle atonement of
reverence, even if you currently only enjoy the artist's in passing, by
way of Oldies 103.3 or the like.
As
it turns out, even at a ripe 66, BOB SEGER still has it. This was
probably best evidenced from his power stance. Black headband on with
knees slightly bent just outside shoulder width, Seger punched toward
the heavens for much of the show's duration. This succeeded in whipping
the near-capacity audience into a frenzy without fail, a task I wasn't
sure would be obtainable upon entering the arena.
Never
one to advocate ageism, any commentary on the night would be remiss
without mentioning the crowd, who really brought any commentary upon
themselves. There were no less than three people who cracked on me for
being out of place based on my age. When I tried to explain that I grew
up on Seger's music, they literally laughed in my face. Can you believe
the nerve?! No, but for real, everyone was old.
Seger,
however, shows no signs of wear outside of his gray bowl cut. He
belongs in the category of artists with so many hits in his back catalog
that you don't even realize half of them are actually by him. "Roll Me
Away," "Rock and Roll Never Forgets," "Fire Down Below"? Who fucking
knew? But all were present last night and prominently nestled alongside a
number of more "undeniably Seger" cuts -- with "Night Moves,"
"Mainstreet," and "Turn the Page" especially killing it.
And
while the man deserves all the credit for upkeeping his unflinchingly
cool croon after all these years, any review would be remiss in not
mentioning the Silver Bullet Band. They were sufficiently "classic rock"
in their presentation, providing a full -- as opposed to sharp and
clear -- compliment to Seger's revue.
Also,
just try listening to him sing "We've Got Tonight" live and not get
chills. Song will take your heart hostage and dispose of it somewhere
around your stomach everytime, without fail.