• February 03, 2011
    By Peter Keough

    Nobody shaped Hollywood genres to his subversive artistic vision as effectively as Alfred Hitchcock, and Vertigo (1958) is Hitch at his best. James Stewart plays one of his darkest and most tormented roles as a San Francisco detective racked by both guilt and the title malady who compounds his troubles by falling in love with a dead woman - and her double.

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