[phlipcam video] Shabazz Palaces @ the Middle East
Monday's
shouldn't be that cool. Not in the literal, temperature-wise sense of
course. It was actually quite humid last night -- with the Middle East's ceiling either leaking or sweating. Rather, I'm talking cool in the sense that
Ishmael Butler wore linen shorts and rapped in a non-associative flow,
resembling what most rappers would sound like if they actually ingested
as much lean as they typically boast on. And Tendai Maraire glided over a
bongo/cymbal/drum pad set-up while rocking a belt buckle that featured what
was either a silver lion or Robert Patrick's character from Terminator 2. In fact, SHABAZZ PALACES were so damn cool last night that they were able to perform "Girl You Know It's True"-indebted
dance moves throughout most of their show and still draw one of the
biggest audience pops I've ever witnessed at the Cambridge basement
venue.
The
reasoning behind the staggering admiration? Probably because the duo have
intentionally cast themselves in a shroud of mystery, via a number of
evasive pen names and a carefully curated occult-like aura. And yet,
there they were in front of us, unfurling their limited catalog (two EPs
and a 2011 LP) into something that seemed never ending in the context
of last night's show. Their recorded output exist within a largely
uncharted pocket that melds cool jazz and psychedelic-tinged hip-hop.
Interesting enough as is, but their concert incorporates a live electronic
aspect, with Maraire's drum pad and Butler's Roland sampler inciting
random neck jerks, hand claps, and finger snaps. I think they even
managed to draw a shoulder shimmy or two out of my weekend-worn self.
Their
75-minute set wasn't without its uncool moments though. Sound issues
with Butler's microphone left him inaudible throughout the opening
number. But this only afforded the duo a second wave of rapt adoration
upon resolution.
It's
difficult to instruct other hip-hop acts to take notes because there's
really no one even approaching their interstellar lane -- in terms of
song structure, aesthetic presentation, and after last night, live
performance. So I guess you could just cooly implore everyone else to
clear some space out so they can space out.