[phlipcam video] Teengirl Fantasy + Pictureplane + Gatekeeper @ Great Scott
TEENGIRL
FANTASY was my favorite new act to emerge from 2010. In a year where
more music was slathered in lo-fi gloss than not, their brand of
retro-sheen shone the brightest. Delicately sourced vocal samples, giddy
synths, and basement bass defined 7am, their silly good debut LP.
It's not hard to imagine them sitting around a laptop, chopping and
warping their tracks until they sound worn. However, I was once again
reminded what assumptions do Wednesday night at Great Scott.
The
duo took to the stage with a stacked deck of samplers, drumpads, and
keyboards, seemingly out to prove that they exist above the overcrowded
field of laptop DJs. The obvious standout from their half hour set was
"Cheaters," an utterly detached take on Love Comittee's
soul anthem. Their music elicits such a hazed-over, druggy vibe that no
matter how hard the drum kicked, it was difficult to do anything other
than gyrate in a druggy haze. Also contributing to said haze: The most
powerful strobe light I've ever witnessed at a concert.
Brooklyn-by-way-of-Chicago
duo GATEKEEPER kicked off the stacked bill with smoke machines and a
single laser beam, refracted around the room with the aid of
strategically placed mirrors and a prism. Not all that familiar with
their music aside from a couple music videos,
I was expecting gloom, and that's precisely what we got. They started in
drone territory and built toward an industrial beat-down. Their set
could've easily been used to soundtrack a spooky space shuttle launch -- onward and upward and dark. If they can mend some of the transitions
between tracks, which basically dropped to complete silence at points
deading the momentum, they'll have a frighteningly solid live show on
their hands.
After
lasers, smoke, and strobes, I was unsure if things could get any
weirder at Great Scott. Then PICTUREPLANE took the stage flanked by two
ladies clad in head-to-toe transparent spandex performing carnal dances
in tandem for the duration of his set. And there was a strong vibe that
if he had the budget to afford leather, they would've been in leather.
He also had 3-D colored flashing lights and a banner hanging behind him
that read "REAL IS A FEELING." Of course, this was all meant to
compliment the music, which basically drew from every genre of
electronic that's existed in the past 20 years, mostly big-room rave. It
was all on par with the spectacle, but by that point it was 1:30 and I
was pretty worn.
Ridiculously solid evening of music. Sorry for the quality of the phlipcam vids. It was dark.