| 
| 
| The SignalToo many weird gimmicks February 20,
 2008 1:13:42 PM 
|   The Signal
 |  There should be a rule in science fiction that there can’t be more than one weird gimmick. If you’re already got a broadcast that drives everyone nuts, you don’t need a dystopian city called Terminus. And on top of that, don’t break the film into a triptych of narratives related by different filmmakers. David Bruckner directs “Transmission One: Crazy Love,” in which Mya (Anessa Ramsey) leaves her lover, who begs her to flee with him from Terminus. The tone is spooky, reminiscent of Chris Marker’s La jetée. Jacob Gentry’s “Transmission Two: Jealousy Monster” picks up the story with Mya’s husband, Lewis (AJ Bowen), who doesn’t need much of a signal to nudge him into insane violence. The deadpan gore would fit easily into Grindhouse. And in “Transmission Three: Escape from Terminus,” Dan Bush restores the film to the unnerving intensity of the beginning. The message about the toxic media comes through loud and clear; otherwise, The Signal is mixed. 99 minutes | Boston Common + Fenway + Fresh Pond + Circle/Chestnut Hill + suburbs
 |  | 
	
		|  
 |  
		| 
				
					
					
							 Reconciling the irreconcilable
  Massachusetts lawmakers are pushing to criminalize Salvia. Is this a test-run for marijuana-law reform?
  Some Things at Trinity
  College gossip blogs exposed
  Never mind its tough-girl alt-porn feminism: SuicideGirls has already moved on to a new generation
  In honor of National Boss Day, thePhoenix.com presents the ultimate kingpins
 
				
					
					
							 Daniel McCusker’s ‘tHisTHat’
  How did Deval Patrick's greatest strength become a dangerous weakness?
  The democratic race is getting messy, which can only mean one thing: it’s time to recruit Al Gore
  50 years after the Boston Braves' departure, it’s worth asking: did the wrong team leave town?
  Artful lodger comes to MIT
  Nightlife
 |  
 
 |  
												Robert Downey, Jr. saves the day 
												Errol Morris checks the apples, not the tree, in Standard Operating Procedure 
												Totally toothless 
												Self-reflection and parody 
												The films of Lee Chang-dong 
												In Errol Morris’s Standard Operating Procedure, a picture is worth a thousand words 
												Exploiting high school shootings 
												The Independent Film Festival of Boston is movie heaven 
												Clear and serene 
												The Independent Film Festival of Boston fights for freedom of the screens
 | 
  
 | Errol Morris checks the apples, not the tree, in Standard Operating ProcedureOverplotted pregnancy flickMarianne Faithful dispenses handjobs in this unrealistic romanceToo much melodramaUnimaginative erotic thrillerTotally toothlessSelf-reflection and parodyTotal cheese for the CW setBrotherly amoreExploiting high school shootings
 | 
 
 | 
 | 
 |