King Britt |
KING BRITT is more than When the Funk Hits the Fan, his hit CD from 1998. Britt founded Ovum recordings, one of the most successful house labels in the US; he’s DJ’d for the Digable Planets, and he takes his house sets on annual international excursions. The guy is a music giant. So why is he coming to town this Friday and, particularly, to the intimate confines of Harvard Square’s Redline club? “There’s a lot of positive things going on right now in Boston,” he says over the phone from Chapel Hill, North Carolina, where he just finished a lecture. “I used to play there all the time, all the raves thrown by the Mello Brothers outside of Boston, I played with ARMAND VAN HELDEN at the Loft. It has always been a positive scene for me. A lot of people have left, and I guess I got lost in the shuffle, but I’m glad to be coming back.”King Britt is from Philadelphia, so he was just a jump from Boston almost any day of the week. What’s more, his diverse music knowledge and ability allows him to play almost any club. He may be best known for his funk and R&B styles, but he loves to experiment within multiple genres. “I look at music as a language. I don’t look at it as genres and subgenres; unfortunately, we need those genres for the marketing in the stores. As far as me as a DJ, I am constantly playing different styles. Music is a way to communicate — texturally, sonically — so house, techno, downtempo, drum ’n’ bass, whatever, it all correlates. It’s a language for different dialects. I just try and translate all those genres into different dialects.”
“I feel DJs like King Britt are great unifiers,” writes CHARLES LEVINE via e-mail. Levine is not only a member of opening duo Soul Clap but also one part of Next Generation Productions, which is promoting the event. Levine also name-checks Detroit DJ myth THEO PARRISH and 7L’s KENNY DOPE as unifiers. “Boston has such segregated music, even within the local DJ culture, that it’s important to showcase acts that can dance between soul, funk, hip-hop and, most important, tie these styles to house and techno.”
Britt: “I used to go to gigs where people want me to play only house, only downtempo. But that’s changing, I’m doing more and more gigs where I can play everything. I did a night at Deep Space [NYC] and they let me play all over the place.” Britt is touring on the strength of Deep ’N Sexy 4, the fourth volume of Wave Music’s mix-CD series. He was committed to making it more than a mix, however, and the elements showcase his massive production skills. “I used Ableton Live [software] to create a more produced mix CD. I brought in someone to do overdubs, my boy to play some guitar work.”
Britt is a producer’s producer, so deep into his studio that he recently completed music for two huge Rolex commercials, one directed by Michael Mann. Because of this, he also thinks of Berklee and jazz when it comes to Boston . . . and the cold. “I’m ready for that, man!” he says with a laugh. “I’m from Philadelphia, I’ve got my long underwear on even now!” It might be cold outside, but watch for a hot set inside the Redline. “I have no idea what Britt will play this time around,” Levine says. “I know he’s been known to really mix things up.”
Four-man wrecking crew HEARTHROB, who run the billion-times-awesome every-other-Tuesday party at Middlesex Lounge, took on Montreal on Valentine’s Day. Playing the popular Peer Pressure night, the team brought their visuals, their own re-edits, and, of course, their CEO, GREG FOURNIER. “Peer Pressure and Hearthrob eight trillionator face melter,” he says on the phone. “I can’t wait to come back to Boston and blast the crowd. MORGAN LOUIS and Erik [Pearson, a/k/a BALTIMORODER] adapted to the night. Musically and crowd-wise they were feeling the vibe, they totally focused in on it and got a great response.”
“We were at a little disadvantage ’cause the night was so hip-hop-based,” says Baltimoroder, “but I think we all killed it. I’m really confident we can kill it anywhere we go.” Even more epic was the after-party, where they met up with Boston ex-pat JORDAN DARE. It seemed the event featured women in latex and Mickey Mouse ears spraying one another with oil. “It was fifth dimension,” says DJ talent and phrasemaker RED FOXXWORTH. “I spoke dream language for like three straight hours. I’m not even kidding.” Foxxworth’s star is rising so fast, “Circuits” can hardly keep pace. His “chopped and FX” edit of the Clipse’s “Wamp Wamp” was played on DJ Sinden’s very influential Kiss FM radio show in London.
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David Day: circuits@squar3.com
