CD Reviews

Chairlift | Something

Columbia (2011)

By RYAN REED | January 17, 2012

3.5 Stars

"You lost your focus, but I got a plan for it," sings Caroline Polachek in a crystal-clear chirp on "Amanaemonesia," hovering over a dark, winding bassline and iceberg synths. Those are the first words sung on Something, Brooklyn duo Chairlift's sophomore album, and Polachek slings them like a manifesto. Sure, in a way, it's Chairlift who have lost focus: with its cavernous psychedelic expanses and spacey lyrical assaults, Something makes the charming electro-pop of their first album (and its iPod-promoting singalong, "Bruises") sound like streamlined commercial grab-ass by comparison. But Polachek and multi-instrumentalist Patrick Wimberly, yes, "got a plan." Somehow they manage to combine their weirdest musical impulses with hooks that stick in your brain. Critics throw around the "art-pop" tag all the time, but marrying those two worlds is tricky business: "Sidewalk Safari" has a faint whiff of prog (surging synth lines, a tense bed of programmed rhythms, spoken-word sections, an electro outro ripped straight from a B-ninja flick), but, sweet Jesus, that chorus! Polachek plays the part of an asphalt-burning hired assassin — possessed, euphoric, her dexterous alto soaring through clouds of warm studio reverb as she promises to hunt down an anonymous bad guy, or perhaps a former lover ("If you see me on the street, you better run" has a nice gangsta-rap ring to it). To pull off tracks this crammed with ideas, you need expert producers, and it helps if they're British. Veteran rock legend Alan Moulder and eclectic electro-guy Dan Carey make sure Something sounds as huge as its aspirations, bringing an impeccably massive sheen to every note: mind-blowing synth-ballad "Take It Out on Me" sounds like the epic slow-dance finale to a 1986 high school prom, but recorded in the year 2050.

Trans Am | What Day Is It Tonight? Trans Am Live, 1993 - 2008
Trans Am are distillers of guilty pleasures, mixing fat AOR riffs with sleazy electronic accents and a propulsive attitude typically reserved for arcade soundtracks. What Day Is It Tonight? covers the DC-area band’s 20-year history with high-quality, high-energy live cuts taken from their many tours.
Various Artists | Where the Action Is: Los Angeles Nuggets 1965 - 1968
More than three years in the making, the most recent installment of Rhino's legendary archival garage-rock series offers an amazingly comprehensive excavation of an absurdly fertile scene.
Various Artists | Nippon Girls: Japanese Pop, Beat & Bossa Nova 1966–1970
Girl-group records are great and everything, yet the countless compilations out there were becoming a little hit-or-miss until 2005, when the great Girl Group Sounds Lost and Found box set finally gave this diverse genre a proper taxonomy.
Various Artists | Casual Victim Pile: Austin 2010
The notion that regional musical flavors exist independently in American cities is quickly becoming an archaic truism, seeing as how the world really is a stage these days, at least in the digital sense.
Bearstronaut | Broken Handclaps
There's a distinct absence of wildlife or astronauts on Lowell electronica quartet Bearstronaut's latest release.
Avi Buffalo | Avi Buffalo
Look, I get it: the last thing we need right now is yet another band who can be described as “sun-baked,” “reverb-soaked,” or even just “psychedelic.” But Avi Buffalo (I know! An animal name to boot!) are worth your attention for a few reasons.
Review: Brandon Flowers | Flamingo
Brandon Flowers has gone on record saying he brought the songs on Flamingo to his fellow bandmates for the next Killers album and was given the brush-off.
Review: Kevin Dunn | No Great Lost: Songs 1979–1985
Casa Nueva Industries (2010)
Review: Crocodiles | Sleep Forever
With remarkable swiftness, Crocodiles tick off all the key characteristics of a band in the thriving lo-fi indie/punk/garage scene.
Review: Teengirl Fantasy | 7AM
If the demise of traditional record making is designed to foster any band’s fruitful existence, it’s that of Teengirl Fantasy.
Review: Screaming Females | Castle Talk
Screaming Females are one of those rare examples of a band who fester so long in the dark — in this case, the teeming basements of New Brunswick, New Jersey — that they sour into something great by the time anyone’s heard of them.
Less

Topics: CD Reviews , Music, CD reviews, chairlift, More

| More

Most Popular

The Current Issue

Table of Contents

Cover Archive

Masthead | Authors | Contact us

Blogs

Where To Follow Me
Talking Politics | March 24, 2013 at 11:09 AM

Mo Takes His Turn
March 21, 2013 at 12:59 PM

[Q&A] KMFDM's Sascha Konietzko on art, Columbine and having balls
On The Download | March 18, 2013 at 3:22 PM

See this film series: The Belmont World Film Series @ Studio Cinema in Belmont
Outside The Frame | March 18, 2013 at 11:00 AM

See this film: This is Spinal Tap [with post-film talk by expert from Acoustical Society of America] @ the Coolidge
March 17, 2013 at 12:00 PM

ARTICLES BY RYAN REED

WAVVES | AFRAID OF HEIGHTS | March 18, 2013
"I Can't Dream," the closer on Wavves' fourth studio album, opens in a drunken lo-fi stupor — Nathan Williams warbling bratty, tone-deaf nonsense over hissy acoustic power chords.

THE VIRGINS | STRIKE GENTLY | March 06, 2013
After a half-decade of semi-obscurity, frontman Donald Cumming is redefining his band as the hipster sultans of swing.

ATOMS FOR PEACE | AMOK | February 26, 2013
Kid A , Radiohead's confounding electro-rock masterpiece, is officially hitting puberty.

ATLAS GENIUS | WHEN IT WAS NOW | February 20, 2013
Atlas Genius are schooled students of modern pop architecture, seamlessly bouncing from Coldplay-styled acoustic rock to fizzy Phoenix funkiness to deadpanned Strokes-ian guitar chug. But When It Was Now is more like an alt-pop NOW compilation than a joyous synthesis.