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Running a restaurant that offers essentially one product is a high-wire act: it can be breathtaking, but you're working without a net, and if you falter . . . Food nerds like me root heartily for such places, having endured too many restaurants with long menus and no memorable dishes.
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At the risk of spoilers, let me just say that in his second film, Duncan Jones repeats horizontally what he accomplished vertically in his terrific 2009 debut, Moon . Or maybe vice versa.
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The director of 300 and Watchmen has plenty of visual panache, but when it comes to storytelling, he's a bombastic hack.
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When young Dalton (Ty Simpkins) mysteriously falls into a coma, a doctor tells his parents Renai (Rose Byrne) and Josh (Patrick Wilson) that he's "never seen anything like it."
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Moon landing
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The Rialto intersects Wall Street in Theatre for a New Audience's steely, droll, and deeply disquieting The Merchant of Venice (presented by ArtsEmerson at the Cutler Majestic Theatre through April 10).
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Two hours after listening to a talking ape named Rupert Cornelius swat down inane inquiries from a panel of probable drama-club alumni, I watched a guy shove a needle through his face.
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That the nation is apprehensive and ambivalent about President Barack Obama's military intervention in Libya is natural, even healthy.
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Of all the rabid regionalists whom I fear encountering in a dark alley, it's the poutine people I dread the most. Cornered, you swear on a squeaky curd never to confuse the exalted junk food with disco fries, and the last words you hear before it all goes dark are, "When I was in Montreal . . .
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Feel like a doormat for politicians and policymakers? Put away your Moleskine, stop ranting with friends at the bar, and start to use enraging news stories as fuel for action.
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