It's a shame that the world, according to Rapture experts, ends May 21 because that
means we'll miss some interesting end of the world movies. Not necessarily films in which the world ends with a bang, like "Armageddon" or '2012," but more the whimper
kind-- reflective and philosophical.
Like Lars Von Triers's "Melancholia,"
which just premiered at Cannes.
The opening Best Picture montage bit in the 83rd Oscars
Broadcast, satirically visiting each Best Picture nominee within an "Inception" framework, almost had me thinking that
they'd pull it off, with James Franco and Anne Hathaway filling the roles of genial,
energetic, funny, hip hosts without the
squirmy mordant edge of Ricky Gervais.
Quite the contrast between interviewing Danny
Boyle, promoting "127 Hours," and
the other big name British director I chatted with last month, Stephen Frears,
promoting "Tamara Drewe." One is
vibrant, engaged, enthusiastic, candid, friendly, informative, and
The other is Stephen Frears.
The 34th Montreal World Film Festival (August 26-September 6),
proved most heartening for those of us anxious about the state of global
cinema. I saw splendid works from all over the world, from both first-time and
veteran filmmakers. Over several days, I watched eight movies in a row that I