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  • July 24, 2012
    By Michael Freedberg

    If Dizzy Gillespie's signature was "Grooving High," then STEVE ANGELLO'S theme at Ocean Club Marina bay Sunday night was "venting high." The Swedish House Mafia stalwart dropped a set -- on a crowd 1,500 strong -- that lived up to the hype, and then some. He exceeded himself not by marvels of mix-boarding -- many fans accuse him of playing pre-mixed sets and swore that that was what he did in this performance too -- but by delivering a message in his music neither superficial nor out of school: that no matter how pent up your day-to-day life, no matter how frustrated, or regretful, or love-longing your soul may feel, you can conquer it all by just letting go, venting everything, and lifting your arms, body, and all up up and away.

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  • July 23, 2012
    By Michael Freedberg

    "Distinctive drive balanced with a sense of warmth and soul," is how CASSY'S bio at SoundCloud describes her sound as a track producer. At NAGA this past Thursday night, that is what she dropped in a much-awaited two hour set that had a less-than-full dance floor shaking booty and cheering.

    Using two CD players and mixboard, Ms.

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  • July 06, 2012
    By Michael Freedberg


    Photos by Michael Freedberg

    Perhaps it is unfair to downgrade the performance dropped by the very young Swedish dance music track-maker ALESSO at Ocean Club, Marina Bay, the night of July 4. Alesso -- real name Alessandro Lindblad -- turns age 21 just this week, an age more suited, one wants to think, to arena rock or indie punk than to the worldly intricacies of great dance music.


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  • July 02, 2012
    By Michael Freedberg

    Last Friday night, ERICK MORILLO, one of the major creators of house music's second generation (1992 to 1999, when he was known as "Erick More"), dropped a 90-minute set at Quincy's Ocean Club at Marina Bay. Morillo doesn't often play the Boston area any more, yet by the huge number of mostly South American folks -- Morillo was born in Colombia and always works his roots -- who came to Ocean Club paying top dollar, it was clear that he still commands full loyalty from those who have sustained his music since he first founded Subliminal records, and before that.

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  • June 26, 2012
    By Michael Freedberg

    As often as this writer has heard DJ DEKA perform over the past six years -- at least a dozen times -- his set at RISE Club, after hours last Saturday night, surprised for its deep, massive mastery of the low frequencies. Deka, who hails from Lowell and whose real name is Alex Karangioze, gained his top reputation locally by shaping to its utter limits a sound he calls "New York style hard tribal."

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  • June 22, 2012
    By Michael Freedberg

    At Monet Lounge in Providence earlier this week, the MARTINEZ BROTHERS dropped the strongest two-hour set this writer has yet seen from the Miami duo. Playing in tandem, as always, their mix and soundscapes seamlessly similar; the pair used a Traktor program, mixboard, and two CD players to overlay funky stuff on scrambles, to slice sampled talk and goofy girl vocals into the mix, and to stroke the low register frequencies in which the "deep house" genre delivers its seductions.

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  • June 12, 2012
    By Michael Freedberg

    Photos by Michael Freedberg

    At Ocean Club Sunday night about a thousand fans of the two sides of dance music -- rave/rock and house/techno -- took full advantage of superb weather to savor the work of young electro-rave star ZEDD and established house music master FEDDE LE GRAND.

    Zedd, whose real name, according to Wiki, is Antlon Zaslavski, hails from Germany but has a sound quite unlike that of any of Germany's many top-name DJs.


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  • June 05, 2012
    By Michael Freedberg

    Of the two German DJs who together are known as M.A.N.D.Y., only one, Philipp Jung, worked the mix board at Julep Bar last Thursday night, May 31. That was all it took, however, to enrapture an almost full dance floor from the very first minute of his two-hour set. Using two CD players and no PC program -- a technique that seems almost quaint in this era of program mixing via Traktor, Skratch, and Ableton -- Jung dropped a set as classic as his instrumentation.

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