Her Zero Dark Thirty got robbed at the Oscars, but you can console yourself by watching some of Kathryn Bigelow's earlier films in this triple feature at ArtsEmerson. It includes Blue Steel (1989; 1 pm), in which Jamie Lee Curtis crushed Hollywood female stereotypes playing a cop out to get a serial killer; Point Break (1991; 6 pm), a genre-scrambling thriller in which Keanu Reeves is cast against type as an FBI agent who infiltrates a gang of surfing bank robbers; and The Weight of Water (2000; 9 pm), an adaptation of the Anita Shreve novel, in which the lives of those investigating a century-old murder intermingle with those of the people being researched.

Los Olvidados

The approaching end of the movie award season is a good time to be reminded of the past masterpieces that this year's winners will ultimately be compared to. Like Luis Buñuel's surreal/neo-realist Los Olvidados (1950; 6 pm), a tender, and brutal, study of doomed delinquents, and Satyajit Ray's tragicomic The Music Room (1958; 9 pm), a tale of a cultured nabob fallen on hard times whose final gesture of refinement is one last concert in the title salon (1958; 9 pm).

Kimberly Peirce, now wrapping up her remake of Brian De Palma's thriller Carrie, first came on the scene with this groundbreaking 1999 true story about a young woman who preferred to be a man, much to the confusion and brutal outrage of a small Nebraska community. It won Hilary Swank a Best Actress Oscar, and proved a landmark in gaining tolerance for alternative sexual lifestyles.

If you missed the Boston Underground Film Festival, the Independent Film Festival of Boston, and are in the process of missing the ongoing LGBT Film Festival at the MFA, what the heck are you doing with your life? If a short attention span is the problem, take the time to drop in on inFEST, a program of "weird and wonderful" shorts from local filmmakers that screens tomorrow at ArtsEmerson

Offering films that engage with contentious issues of faith and politics and inspired by a spirit of tolerance and compassion, the Boston Muslim Film Festival draws to a close over the next two weeks. Here are two upcoming films:

Screening for free tonight at 6 p.m. at the Goethe Institute, the German-Afghani director Burhan Qurbani's "Shahada" vitalizes the multi-narrative schematics of "Babel" or "Crash" with the intensity and authenticity of such Fatih Akin films as "Head-on."