Two trademarks of Michelangelo Antonioni's career, obscure
plots and visual beauty, reach their peak in his penultimate film, Identification of a Woman (1982). Oh,
and beautiful naked women, too. It's got a lot of that.
Harvard Film Archive, 24 Church St,
Cambridge :: Friday, December 14 @ 7 pm :: $9; $7 students, seniors :: 617.495.4700