Woody Allen has a little fun with one of the great
filmmakers of all time in his new film Midnight in Paris by
having him look confused when Owen Wilson suggests to him the plot of what
would eventually be his film The Exterminating Angel
(1962). But the real Luis Buñuel knew his way around a surreal concept, as can
be seen in the films opening the retrospective Bunuel:
The End And the Beginning.
Nobody has equaled his image of the sliced eyeball in his sublime silent short Un
Chien Andalou (1928), unless you include just about every shot in
his outrageous L'Age D'Or (1930). The Archive is in the Carpenter Center,
24 Quincy St, Cambridge | 7 pm | $9; $7 students, seniors |
617.495.4700 or hcl.harvard.edu/hfa.