[tonight] "Re:Generation" (starring Skrillex!) screens @ the Commons + the Regent in Arlington
"It is worrisome to me that cultures prefer dancing to a machine," says John Densmore around the halfway point of RE:GENERATION, which screens tonight at the Common and Arlington's Regent Theater.
The quote is delivered via a voice over while we witness the Doors
drummer making a death row-like march into a Los Angeles recording studio. Once inside,
he's is greeted by a rather carefree "Sup!" from Skrillex, seemingly ignorant to Densmore's distaste for his entire being.
In
a lot of ways, that's how most of the interactions in Amir Bar-Lev's
documentary play out. The film pairs off five producers -- DJ Premier,
the Crystal Method, Mark Ronson, Pretty Lights, and the aforementioned
prince of discord -- with five genres of music outside their comfort
zones. The end result of the collaborations are hardly what the film's
about though. In fact, they're almost treated as an afterthought, each
given a curtailed run-through just before the credits.
Rather,
it's the interactions, like the one detailed above, that make the film
worthwhile. The Crystal Method get a metaphorical bitch slap from
Martha Reeves thanks to the sophomoric lyrics they come with for their R&B
collaboration. Skrillex powers through blank stares from Ray Manzarek.
And perhaps most uncomfortable of all, the collaboration between Pretty
Lights and Dr. Ralph Stanley. I'm not trying to give too much away, but
you can probably imagine what a standoff between an 84-year-old
bluegrass stalwart and a 30-year-old ecstasy stalwart might entail.
It
isn't all get-off-my-lawn indifference though. There are also a handful of
ethereal moments as well. Admittedly, I don't know shit about Mark
Ronson aside from the fact that he's a rather dashing bloke, but his
collaboration with the Dap Kings, Zigaboo Modeliste, and Erykah Badu is a
highlight. He probably got a better draw with having to create a jazz
track than poor Pretty Lights with country, but his handling of a rather
orchestral cast of musicians was revealing of his aptitude as a producer. And for the entirety of DJ Premier's screen time -- from him
digging Beethoven records to him standing on stage at our very own
Jordan Hall in anticipation of his collab with the Berklee Symphony -- I
was basically reduced to a state of fanboy geekdom.
Re:Generation
isn't getting a wide release, but as mentioned up top, it is screening tonight at 8 pm in
two local spots: the AMC in the Commons (also screening there again next
Thursday at 8 pm) and the Regent in Arlington (also 10:30 pm tomorrow
night). This not being the film blog and myself not being a film
critic, I'm just going to go ahead and say, 4 OUT OF 4 STARS! MUST SEE!
No, but for real, it's good. I wasn't expecting much and was duly impressed, even as a rather cynical hater of all things wobble.
And finally, as a bit of self-promotion, I'm starting a new blog focusing on
electronic music that will be appearing here, On the Download. First
post goes up tomorrow. Be on the look out.