“I have gotten way more press for my little re-enactments than 20,000 marchers get,” Tribe acknowledges. The lesson, he thinks, is that media-savvy theatrics deployed by ’60s activists like Abbie Hoffman and the Yippies may be a key in bringing attention to causes.
At the same time, the project’s catchy time-warping, everything-old-is-new-again concept perhaps most makes it a creature of the art world, where it stands part of a trend in historical re-enactment.